Oliveira realized that his cinemas could mix art films and blockbusters, hence the neologism “artplex”. Another cinema event that has won a place on the Rio calendar over the last few years is Semana dos Realizadores [Filmmakers Week], which selects and screen films made by the leading talents that have emerged in Brazilian cinema. Rio de Janeiro now hosts a huge number of film-industry companies. South and Southeast The South In the South, the city of Porto Alegre and the production company Casa de Cinema de Porto Alegre , a group of directors, producers and technicians that has succeeded in creating a different scene for Brazilian cinema, are particularly noteworthy. Built in , it is the last of the great theatres in operation in Cinelandia district. Moreover, the current mayor’s administration has backed one of most important public-sector projects for cinema in Brazil: They have worked with first-time directors but also important directors such as Nelson Pereira dos Santos and have made many of Eduardo Coutinho’s documentaries. Producer Sara Silveira has a more artistic focus and works with first-time filmmakers.

The Second Mother , by Anna Muylaert, all of which earned good reviews in Brazil and internationally, many of them also box-office hits in Brazil. Its status reflects a business context driven by discussions and presentations of the entertainment world’s top case studies. Turning to children’s films, there is the International Children’s Film Festival FICI , held by production company Copacabana Filmes, which has become Brazils leading platform for the genre, showing over films for over a million viewers. The company also invests in new directors and runs various projects with international partners such as Pablo Fendrik’s El Ardor El Ardor , an Argentinean, French and Mexican co-production. Another highlight in the production sector is Bananeira Filmes , founded by producer Vania Catani in Since the early days of cinema, through the golden age of radio to TV Globo’s consolidation as South America’s main production centre, talents and technicians have migrated to the city and are still drawn here today. In addition to these prestigious names, the above tables show that Rio de Janeiro production companies made the highest box-office earners of all Brazilian films.

The group was founded in December by ‘gaucho’ filmmakers who had been working together since the early s, whose iconic film was Jorge Furtado’s Ilha das flores Island of Flowers Worldwide, it is second only to its partnered Annecy Festival. Two other events are also worth mentioning, given the local arrangements they have sustained and their attraction for professionals from other states and countries. Another important historical city has hosted the Tiradentes film festival for 18 years and has established it role as a top showcase for independent Brazilian cinema and new talents.

Rio de Janeiro’s cinema complex Rio de Janeiro has ppa a leading role in the history of Brazilian cinema, as mentioned above.

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In addition to exhibiting films, its International Documentary Conference has also provided a fruitful setting for thought and discussion. She has done valuable work for Brazilian art films through production company Dezenove Som e Imagemoriginally as partner poz director Carlos Reichenbach. On the city artlex, Rio de Janeiro has been active in film distribution since the 90s through Riofilme — Empresa Distribuidora de Filmes S. For over 20 years, it has distributed top Brazilian motion pictures, including many from other states.

Producer Sara Silveira has a more artistic focus and works with first-time filmmakers.

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The event’s seminars, workshops, business meetings and other activities are important sources of training and educational opportunities for industry professionals. Producer Ailton Franco screens some films cindma a wide range of genres and national origins every pooa, with local and international competitions, regional panoramas, thematic and gender, and special categories for films from certain countries.

The South is also home to one of Brazil’s longest running film events, the Gramado Festivalwhich was first held cinwma Once it has been reformulated as a cultural centre, the former Cine Odeon will diversify to host sports, opera and lectures, as well as the city’s leading film festivals and events.

It holds debates and meetings on public policies for film companies producing children’s content and various activities such as workshops, concerts, special screenings etc.

There is a very long list of Rio audiovisual production companies, but some have earned special mention. Continue reading Mapping Brazil – Cinema: Sinceit has been divided into six theatres named for Brazilian artists: Rio de Janeiro now hosts a huge number of film-industry companies. Skip to main content. Since the early days of cinema, through the golden age of radio to TV Globo’s consolidation as South America’s main production centre, talents and technicians have migrated to the city and are still drawn here today.

One of its market-oriented strategies permeates the production chain to exchange ideas while encouraging co-production and distribution partnerships and holding training or refresher courses for professionals during the event itself. Thus, they have covered all segments of cinema’s supply chain so local production continued its cinematic tradition in terms of both, box-office success and artistic achievement, which has been strengthened and renewed. Every film student in Brazil will invariably be exposed to their thinking.

More than 3, young people have attended its courses and produced dozens of audiovisual works, some of which have been sponsored. Jean Claude Bernardet and Ismail Xavier are in the same field, both being professors at the same university USP and doing theoretical work that has partly revised the ideas of Sales Gomes. Built init is the last of the great theatres in operation in Cinelandia district.

Furthermore, it has released significant pictures in recent years, as for example Rio, eu te amo Rio, I love you for the international “Cities of Love” franchise, which has also featured Paris and New York. Rio de Janeiro’s many educational and training facilities point to another supplementary aspect of the city’s cinema-hub role that is worth noting, in particular a film course founded in the s by leading Cinema Novo directors, including Nelson Pereira and Ruy Guerra, taught at Universidade Federal Fluminense.

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As well as the film production industry, festivals and events comprise another prominent segment in Rio de Janeiro.

Filme B also organizes two major film-industry events. Directed by Julia Murat.

Minha vida em Marte – Porto Alegre –

Based on another model, RT Features is working with artplez content and entertainment for both film and TV, having co-produced international ventures such as the U.

The Southeast For historical and economic reasons, the Southeast is home to the Brazilian film industry’s leading institutions and agents. They have worked with first-time directors but also important directors such as Nelson Pereira dos Santos and have made many of Eduardo Coutinho’s documentaries.

In addition to films followed by debates, the week has also become an important meeting point for local filmmakers and industry professionals in an environment that favours reflection around current production.

Homem-aranha no Aranhaverso

Moreover, the current mayor’s administration has backed one of most important public-sector projects for cinema in Brazil: Sincethe festival has been a highpoint on the city’s cultural agenda due to its broad and diversified program and screenings free of charge at several theatres and cultural centres in the city.

As ofthe state and city governments resumed investments in the industry and both have undertaken various development initiatives, some of them jointly. From then on, it has established its role as one of the world’s most important festivals and must destination for the year’s cinema highlights. The company also invests in new directors and runs various projects with international partners such as Pablo Fendrik’s El Ardor El Ardoran Argentinean, French and Mexican co-production.

To date, the film is still being featured around the world. Every year, about films are selected from a wide range of countries. He is also active in distribution and has been an important partner for Brazilian cinema since digital cinemas have provided more opportunities for Brazilian content with a more creative approach to programming these films across the circuit in states covered by his network.

Rio de Janeiro is also home to institutions representing audiovisual producers in both film and television.