Mixed media can help change attitudes in an increasingly unequal world, says Katharine Round. Habla el Verso Saharaui . Training astronauts to shoot film? Archived from the original on 17 May Mike Leigh on class war and political hope. What can Mad Max tell us about water scarcity? This page was last edited on 1 May , at
Patreon is a platform that enables us to offer more to our readership. The media present poverty as the fault of the poor, Ken Loach tells Malcolm Lewis in this interview. Articles with Spanish-language external links Webarchive template wayback links Webarchive template archiveis links Articles containing Arabic-language text. It is free to read online — please support us so we can keep it that way. Ken Loach on ‘I, Daniel Blake’: In such cases, films from the guest country are screened and related events take place along the other acts in the festival. We sat beside each other in silence for a long time.
As Jadiya Hamdi, the Minister of Culture for the Saharawi government in exile, explained at a previous festival, film-making not only helps preserve and enrich their culture but also folm people in the camps a sense of purpose.
When Two Worlds Collide — people vs corporate greed.
FiSahara Film Festival: Nothing short of a miracle | HuffPost
Machines; The Other Side of Hope: Without paved roads or running water Dakhla is an unlikely place for a film festival, but it is precisely its remote location and lack of amenities that makes it the ideal choice for a festival that aims to educate and entertain both refugees and international participants.
Richard Swift reviews some of the best offerings at the world’s largest documentary film festival. A Quiet Passion; The Salesman: It’s a Free World It’s not a place for deals to be done — the purpose of FiSahara is to raise awareness of the plight of the Sahawari people, exiled from their own land, which is controlled by Morocco, and seeking the right to self-determination.
Sincesome years the festival elect a country to be guest in the event. The winner of the White Camel, the festival’s top prize which is an actual live camelwent to Ladjouad made by Brahim Chegaf, himself a graduate of a film school set up in the refugee camps in Screenings take place after sundown.
A very different vision of what a film festival is was on display late last month, though, in a location far removed from the Croisette.
FiSahara Film Festival: Nothing short of a miracle
Our pick of recent and new releases.
HotDocs Festival – Film review special. Screenings take place after sundown.
FiSahara – the film festival in the desert
Popcorn in the sands of the Sahara. For guests, it gives them a unique insight into fisaharq world of refugees who have been largely forgotten by the international community.
The media present poverty as the fault of the poor, Ken Loach tells Malcolm Lewis in this interview. The White Camel Arabic: Warda, aged 28, was born in Dakhla, studied psychology in Algiers before coming back to work in the camp hospital.
His fighting days are probably over, but FiSahara means his tale, and those of the thousands like him, might live on in film.
Ken Loach on ‘I, Daniel Blake’: Articles with Spanish-language external links Webarchive template wayback links Webarchive template archiveis links Articles containing Arabic-language text. All in a day’s work for the Canadian documentary filmmaker, writes Cristiana Moisescu. International guests stayed with Saharawi refugees exiled from Western Sahara for nearly four decades, sharing their homes and their food and sitting shoulder to shoulder with them on rugs to watch movies.
Beulah Devaney finds an unexpected message in the Hollywood blockbuster. For the refugees, FiSahara helps break the monotony of camp life, offering a rare window on the world beyond the bleak desert horizons.
Tap here to turn on desktop notifications to get the news sent straight to you. The first festival was in large part organised by Peruvian film director Javier Corcuera. Support the website with a monthly donation. At night, as well as the films, there are concerts in the rolling dunes with performances by local and international musicians including the acclaimed Spanish band Vetusta Morla.
Sons of the Clouds: Do not forget us. The ‘New Colonialism’ — the case of Western Sahara. Explore your passions by topic and region. Films offer the refugees a window on the world — it is remarkable to see an audience of more than refugees sit captivated for two hours watching the unfolding story of a Mancunian postman in Ken Loach’s Looking for Eric.
Ahead of his upcoming film, Peterloo, Mike Leigh speaks to Sam Thompson about cinema, history and politics. Patreon is a platform that enables us to offer more to our readership.
Each day there are activities including workshops and camel races, football matches and clown shows for the fisabara. In addition to the white camel award, it is hoped that the Raindance film festival, a supporter of FiSahara, will screen the film at their festival in London next year. As Jadiya Hamdi, the Minister of Culture for the Saharawi government in exile, explained at a previous festival, film-making not only helps preserve and enrich their culture but also gives people in the camps a sense of purpose.
Photos by Alberto Almayer, Sergio R.
Sahara International Film Festival (FiSahara) | Afro Tourism
Mhairi Morrison a Scottish-American actress who flew out from Los Angeles for the festival was deeply moved by her stay in the camp deeply and formed a close bond with her host mother, Warda, and her family. Help us get The Spirit Level film to the finish line. New Internationalist About us Ethical shop. Retrieved 16 May