Separate different tags with a comma. May 22, Zohra Star rated it it was amazing Shelves: These 7 locations in New South Wales: On modernity and the making of a national cinema — The making of an Iranian filmmaker: It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. The specific requirements or preferences of your reviewing publisher, classroom teacher, institution or organization should be applied. Lists What are lists? Email alerts New issue alert.

Notes Includes filmographies p. To ask other readers questions about Close Up , please sign up. This single location in South Australia: Bibel — Philemonbrief Kiarostami, Abbas. Motion pictures — Iran — History. Borchardt Library, Melbourne Bundoora Campus. Citing articles via Google Scholar.

Dbashi though the history of film watching can be traced back to as early ascinema had not yet found its national language, emerging later as a populist art form taking the place of public storytelling Naqqali. Remember me on this computer. This is where Dabashi sees the importance of the new generation of filmmakers in beating this museumisation.

Dabashi argues that the power of cinema has proceeded that of literature in that it has become an international art, with wide global viewing. Sahar rated it liked it Apr 27, Dabashi traces the deep roots of the work of filmmakers such as Abbas Kiarostami, Mohsen Makhmalbaf and Rakshan Bani-Etemad, and shows how their work opens up a fascinating and far-reaching interrogation of contemporary cultural production.

Alezandra Melendrez rated it really liked it Jun 19, Bibel — Philemonbrief Kiarostami, Abbas. User-contributed reviews Add a review and share your thoughts with other readers. Eskandar rated it it was amazing Mar 29, The specific requirements or preferences of your reviewing publisher, classroom teacher, institution or organization should be applied.

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Don’t already have an Oxford Academic account? Motion picture producers and directors — Iran — Interviews. Skip to content Skip to search. Dabashi combines exclusive interviews with directors, detailed and insightful commentary, critical cultural context, an extensive filmography, and generous illustration to provide an indispensable guide to globally celebrated but little-studied cinematic genre.

He is the founder of Dreams of a Nation: By the s opposition to the Pahlavi regime was in full swing.

Similar Items Related Subjects: However it is in the fifth chapter that things really begin to heat up. Close mobile search navigation Article navigation.

Close Up: Iranian Cinema, Past, Present and Future

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Abbas Kiarostami — The sight of the invisible world: Separate different tags with a comma. Said “There are few better places to begin than with Dabashi’s subtle and vividly presented wealth on Iran.

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Home This editionEnglish, Book, Illustrated edition: This is a great resource book on Iranian Cinema. Cancel Forgot your password?

Comments and reviews What are comments? Additionally its power stems from the fact that the world had made up its mind about Iran through images and news reports following the revolution, and was therefore perhaps a little surprised by what it saw on the screen.

Close up : Iranian cinema, past, present, and future

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Subjects Motion picture industry — Iran. Trivia About Close Up: Your list has reached the maximum dabaxhi of items. When Kiarostami Staged Mozart. University of Newcastle Library. University of Technology Sydney. Login to add to list. Australian National University Library. Dabashi combines exclusive interviews with hamkd, detailed and insightful commentary, critical cultural context, an extensive filmography, and generous illustrations to provide an indispensable guide to a globally celebrated but little-studied cinematic genre.

By then Iranians were exposed to the best of world cinema, which had a major impact on the more social-realist films of the period. Iranian cinema, past, present, and future”.

Close Up: Iranian Cinema, Past, Present and Future — Hamid Dabashi’s Official Website

The chapter is significant in that it creates an initial insight that is not only crucial in the latter understanding of Iranian cinema, but also useful for non-Iranian readers who are perhaps less familiar with the history. Paperbackpages. Said “With Hamid Dabashi’s new book, we finally have a reading of the post-Revolutionary Iranian cinema from within Iranian culture and society. Dabashi’s work is crucial irnian our times.

A Photograph by Abbas Kiarostami. Background reading to help understand the recent protests in Iran.