Lorenza Pignatti, The art of noise, Kult, June. Afterwards, it will be in Corinthia, Greece, as it has just been selected to the competition of the Corinthian International Film Festival. Tate Triennale , London, Tate Publications. Intelligence, Art Monthly , September. She has self-published various photobooks such ass: Art Since , London, Thames and Hudson. Nothing, London, August Publisher Parkett:
Zing Magazine, Volume 2, Fall. Exchange student at Villa Arson, Nice. Ronald Jones, A continuing investigation into the relevance of abstraction, Frieze, Issue 47, Summer. Bonami, Biennale di Venezia. Michael Hauffen, Liam Gillick: Ideal Place, Nevers, ed. ON, London, Interim Art.
Maureen Paley, Art Monthly, November.
It exclusively studies the moments of the interpellation of the Ideology Louis Althusser which are represented physically by music, words, gazes, gestures and situations found in these films.
Max Glauner, Liam Gillick: ON, London, Interim Art. On fruit plantations hail cannons shoot db soundwaves into the sky.
Text by Catherine de Zegher and Katherine Carl. Markus Weisbeck, Surface, Berlin, Sternberg. The filmic wandering becomes a nostalgic and political reflection on territorial belonging and identity, and the roles we assume in the places we cknema from. Short Guide, Kassel – documenta, Cantz. Michael Wilson, New British Art: He has developed a number of key narratives that often form the engine for a body of work.
Negligence by the Lebanese authorities has led to mold growing on parts of this archive inside the damp underground warehouses. Art SinceLondon, Thames and Hudson. Tout va bien, Der Standard, March 4.
Le Consortium, Dijon, Les presses du reel. Certainly not by painting it white, Institute of Visual Culture, Cambridge. Afterwards, it will be in Corinthia, Greece, as it has just been selected to the competition of the Corinthian International Film Festival.
Susanne Neubauer, Projektion, Luzern, Kunstmuseum. Artists write, Utrecht, BAK. Contemporary Curators in Conversation 4Gateshead, Baltic. Fiction is often used by them as a tool to comprehend the puzzling cultural and socio-political differences across destinations.
Fotofeis, Glasgow, International Photography Festival. Michael Meredith, Liam Gillick: Hsu Che-Yu works as an artist who primarily creates animations, videos and installations that feature the relations between media and memories.
Escape Attempts, Globe, Copenhagen. Artists WritingBrooklyn Rail, June 1.
Edition SchellmannHatje Cantz. Hsu Che-Yu was born in Taipei in His pursuit conjures pertinent questions regarding the ruination of Arab cultural programe and the conflicted relationship between individual rights and the duties of the state, and the ever-illusive gaps between the personal and the collective. Through their sensual decoding of information and hypnotic choreography of sign language, a necessity of care for this strange and beautiful planet emerges.
Nathanael Gouin Récital Piano – Altkirch
Bonami, Biennale di Venezia. Consumed palae Flames, Art Monthly, April. Nikos Stangos, London, Thames and Hudson. He got interested in the use of a contemporary form of the landscape-image for various experiments. Man of his word, The Art Newspaper, November.
So the question arises: PowerArt Review, November. In addition he has produced a number of short films since the late s which address the construction of the creative persona in light of the enduring mutability of the contemporary artist as a cultural figure.
Between Artists, New York, A. Certificates of authenticity in art, ed. Is the weather still real? Located on Charles Helou Boulevard in the East of Beirut, the remains of Studio Baalbeck, a white modernist villa with open doors, broken windows and a garden full of wild plants and pine trees, appear like a lifeless place. Liam Gillick, Wallpaper, October.
Eine pathologie der Gesten, Hebbel am Ulfer, Berlin. Calvin Tomkins, Alex Poots: